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The local people tell them of Rustin Parr, a hermit who kidnapped seven children in the 1940s and brought them to his house in the woods, where he tortured and killed them.
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They interview people living in the local area about the legend of the Blair Witch. They travel to Burkittsville, Maryland, which the town was used to be called Blair. Williams and Joshua Leonard set out to make a documentary about the fabled Blair Witch. In October 1994, movie students Heather Donahue, Michael C. The DVD was released in December 1999 and presented only in fullscreen. The movie was positively received by critics and went on to gross over US$248 million worldwide, making it one of the most successful independent movies of all time. The distribution strategy for The Blair Witch Project was created and implemented by Artisan studio executive Steven Rothenberg. It was released by Artisan on 30 July 1999 after months of publicity, including a ground-breaking campaign by the studio to use the Internet and suggest that the film was a record of real events. The Blair Witch Project was first shown at the 1999 Sundance Film Festival. This "recovered footage" is presented as the viewer is watching the movie. The viewers are told the three were never seen or heard from again, although their video and sound equipment (along with most of the footage they shot) was discovered a year later. Williams) who disappeared while hiking in the Black Hills near Burkittsville, Maryland in 1994 to film a documentary about a local legend known as the Blair Witch. By shooting in a chill season, by dampening the color palette, the movie makes the woods look unfriendly and desolate nature is seen as a hiding place for dread secrets.This movie was put together from amateur footage and relates the story of three student filmmakers (Heather Donahue, Joshua Leonard, and Michael C. But the visuals are not just a technique. Much has been said about the realistic cinematography-how every shot looks like it was taken by a hand-held camera in the woods (as it was). These crude objects are scarier than more elaborate effects they look like they were created by a being who haunts the woods, not by someone playing a practical joke. Nature itself begins to seem oppressive and dead. Once they get into the woods, the situation gradually turns ominous.
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But the movie wisely doesn't present this information as if it can be trusted it's gossip, legend and lore, passed along half-jokingly by local people, and Heather, Josh and Mike view it as good footage, not a warning. Many have vaguely heard of the Blair Witch and other ominous legends one says, "I think I saw a documentary on the Discovery Channel or something." We hear that children have been killed in the woods, that bodies have disappeared, that strange things happened at Coffin Rock. Heather and her crew arrive in the small town of Burkittsville ("formerly Blair") and interview locals. The buried structure of the film, which was written and directed by Eduardo Sanchez and Daniel Myrick, is insidious in the way it introduces information without seeming to.
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All three carry backpacks, and are prepared for two or three nights of sleeping in tents in the woods. black and white camera, operated by the cameraman, Josh ( Joshua Leonard). All of the footage in the film was shot by two cameras-a color video camcorder operated by the director, Heather ( Heather Donahue), and a 16-mm. The characters have the same names as the actors. We learn from the opening titles that in 1994 three young filmmakers went into a wooded area in search of a legendary witch: "A year later, their footage was found." The film's style and even its production strategy enhance the illusion that it's a real documentary. It's presented in the form of a documentary. The movie is like a celebration of rock-bottom production values-of how it doesn't take bells and whistles to scare us.